Current index · revised July

Sixteen pigments. We are not trying to sell you a spectrum.

Eleven earths off our own face, four blacks we burn ourselves, and one blue we have no business making and make anyway. Prices are per 250g of dry pigment and per 40ml tube of oil colour, ex works. Trade is 30% off at ten kilos.

The index

What is in the racks this month

PY 43 Wigpool YellowRaw ochre, unroasted. 40–200 mesh. The house colour. £9 · £14.50
PY 43d Wigpool Yellow, deepSame seam, one metre lower. Greener, slower drying. £9 · £14.50
PR 102 Wigpool RedRoasted four hours at 480°C. Warm, opaque, the one everyone reorders. £11 · £16
PR 102L Wigpool Red, long roastNine hours. Cooler, nearer a mars violet. Made twice a year. £13 · £18.50
PBr 7 Dean Umber, rawFrom the clay band under the ochre. Transparent in oil, superb in glazes. £10 · £15
PBr 7b Dean Umber, burntKiln to 520°C. Dries fast enough to be useful and slow enough to move. £10 · £15
PBk 8 Vine BlackBurnt from prunings off the orchard at Aston. Cool, weak, beautiful. £12 · £17
PBk 9 Bone BlackCalcined and washed three times. Brown-black, the traditional shadow. £12 · £17
PB 27 Prussian BlueBought in, not made here, and we say so on the label. Ground and mulled by us. £16 · £21
PW 18 Chalk, levigatedFor gesso and for bulking your own. Sold by the 5kg sack as well. £6 · n/a

Prices per 250g dry · per 40ml tube. Six more earths and two greens run seasonally — ask, or read the batch list.

Beyond the racks

Three things we do to order

Matching · from £180 Send a flake, a photograph and a note on the light it lives in. Up to four drawdowns, then 45 per kilo once we agree. Most conservation matches land on the second pull.
Boxed set · from £340 Twelve earths in 150ml tubes, a 90mm glass muller, a porphyry slab and the notes. Made up for teaching studios; the tubes can be swapped for what you actually use.
Standing batch · per year £1,150 One reserved sixty-tube batch per quarter, same face, same roast, same mesh, with the records copied to you. For studios that need this year's colour to match last year's wall.

On matching

We will tell you when the answer is a pigment we do not sell.

About one match in five turns out to be a lead-tin yellow, a genuine vermilion or something else off our list. We say so, name three people who make it properly, and charge you for the drawdowns only.

Lead times

When you would actually get it

Working days from cleared order. Batches close the last Friday of the month.
OrderIn stockMade to orderCarriage
Dry pigment, under 2kg2 days10 days£7.50
Dry pigment, 2–25kg4 days15 days£18
Oil colour, under 12 tubes3 days12 days£7.50
Oil colour, full batch—20 days£24
Boxed set—25 daysIncluded

Asked often enough

Before you write

Is it lightfast?
The earths are ASTM I — they are iron oxide, they were lightfast before anyone thought to test it. The vine black is I, the Prussian blue is II and will shift slightly in a thin tint over decades. That is on the label, not in the small print.
Why is your yellow different from the last lot?
Because it is a hillside, not a formula. Within a batch it is consistent to the eye; between batches a year apart you may see a shift. If you need identical, take a standing batch and we will hold the face and the roast.
Can I visit the mine?
No. It is a working face under a licence with conditions about who goes in and in what boots. The mill on Thursdays, yes, gladly.
Do you sell to hobby painters, or only trade?
Anyone. There is no minimum order and no trade-only nonsense. The 30% break at ten kilos is arithmetic, not a members' club.
Will you make my recipe?
Often. Send the recipe and the reason. We have made a chalk-heavy distemper base for a National Trust job and refused an oil ground with a driers package we thought would crack in ten years.

Order, or ask something awkward.

Either is welcome. We answer email within two working days and Nell answers the awkward ones the same afternoon.