Nell Carrow
Bold traditional · lettering · cover-ups
Twelve years in, six of them here. Nell will tell you when a design is too small to hold its lines for twenty years, which is most of the time.
- Hourly
- £120
- Full day
- £780
- Next slot
- 3 weeks
A six-chair custom studio on Jamaica Street since 2014. You get the price in writing before you pay a deposit, and the council registration is on this page rather than in a frame you never read.
Walk-ins Thu–Sat from 11am · flash only, first come, photo ID required
Nobody here takes every style. Pick the artist whose work looks like the thing in your head — that matters far more than picking the studio. Waits are what they say they are; if a chair is closed it says closed.
Bold traditional · lettering · cover-ups
Twelve years in, six of them here. Nell will tell you when a design is too small to hold its lines for twenty years, which is most of the time.
Blackwork · ornamental · geometric
Draws banding and ornamental work freehand onto the arm before any stencil goes near it, so the pattern actually meets at the inside of the wrist.
Fine line · script · single-needle
Books reopen for October on the first Monday of September. Marta takes first-timers and will happily let you walk to the mirror three times before she starts.
Residencies of one to four weeks
We keep one station free for visiting artists — 41 of them since 2014. Guests set their own rate and their own books, and they go up on the board four weeks ahead. In August it is Ilse Renner, hand-poked ornamental, from Rotterdam.
Tattooing is sold as time, not as an object. Below is every figure we charge. You will still get a quote for your specific piece — but you should not have to walk into a shop to find out whether you can afford to be in it.
Covers the station, a new needle, tube, ink caps and barrier film, and the artist's time — whether the piece takes twenty minutes or an hour.
For work that fits in one sitting. The rate is the artist's, not the studio's — it is on every chair above.
Cheaper per hour than hourly, because the station is yours and we are not turning it over.
Sleeves, backs, thighs and anything freehand. Most large work is several of these, booked as a run of dates.
In person or by email. We do not charge for talking about it, and we would rather you came in twice than sat in the chair unsure.
This is the term customers most often get wrong, so: the deposit is not a fee and it is not on top. It is the first £80 of what you were going to pay anyway. On work over £600 it is 25% instead.
Moving it: tell us 72 hours ahead and the deposit moves with you, once. Less than that, or a no-show, and it is gone — the chair sat empty and nobody else could have it.
Flash is a finished design waiting for someone to want it. It is the fastest and cheapest way into a good tattoo, and on Thursday to Saturday you can walk in and have one the same day. Repeatable designs can be tattooed more than once; one-offs go once and come down.
You bring the idea and the references; the artist draws it. Most of what leaves here is custom, and it is why the waits exist.
Thursday to Saturday from 11am, first come. Priced on the sheet, no deposit, photo ID at the door.
Send a clear photograph in daylight before you book. Some things cover and some do not, and we would rather tell you that by email than in the chair.
Sleeves, backs and thighs, drawn on the body rather than printed onto it. Booked as a run of day sessions, usually three to six weeks apart.
One free on our own work within eight weeks of it healing. Hands, fingers and feet are excluded, because they drop ink no matter who put it there.
Anyone under 18, with or without a parent. Anyone who has been drinking. Hands, necks and faces on people who are not already heavily tattooed. Nobody else's copyrighted artwork.
Every tattoo studio in England is required to register its premises and every person tattooing in them, and to display the certificate and the council's byelaws where you can read them. Ours are by the front desk. They are also here, because a frame on a wall is no use to you before you have decided to walk in.
Records are kept under UK GDPR and the Data Protection Act 2018, held for three years, in a locked cabinet rather than a shoebox. Complaints go to the studio first and to Bristol City Council's Public Health & Protection team if we don't put it right.
Anything can be made to look sharp ten minutes after the wipe. These are at six weeks and beyond, which is when you find out whether the lines held.
Aftercare is usually buried in a menu somewhere, to be read once you have already paid. It belongs before you book, because how much you can be bothered to do for six weeks is part of the decision.
You leave in film. It stays on as long as we tell you. Plasma and a bit of ink will collect under it — that is meant to happen and is not the tattoo coming off.
Clean hands, unscented non-antibacterial soap, rinse properly, pat dry with kitchen roll — not a towel. Thin layer of balm, three times a day. Too much balm does more damage than too little.
It will look dull, patchy and slightly waxy, and you will be convinced it has gone wrong. Do not pick it. No swimming, saunas or steam rooms.
Now you can judge it, and now we can touch it up if it needs it. Keep it out of direct sun and off sunbeds for another month, then use factor 50 on it forever.
"I'd been quoted 'about four hundred, maybe' by two other shops. Nell quoted £780 for the day, in writing, before I paid a penny — and it came to £780."
"Ross redrew the join on the day so the banding actually met on the inside of my wrist. Cost me an extra forty minutes and he didn't charge for it."
"First tattoo at 41 and I was genuinely frightened. Marta moved the stencil three times and let me go and look in the mirror twice before she picked the machine up."
Placement, rough size, references and the dates you can't do. You'll get a quote and a date from the artist, usually within two working days, and nothing is booked until you've seen the number.