Editorial · 2025

Northline Review

Six quarterly covers cut from one family of shapes.

Cut-paper collage: a torn red arc, a mustard square, a teal shape and a grey scrap with black strokes on cream paper
Illustration

The brief

The review wanted covers that felt printed with a knife, not assembled in software.

Role
Cover illustration and eight interior spots per issue.
Usage
Print run of 18,000, plus the digital archive for twelve months.
Client
Northline Review
A studio wall pinned with red, cream and teal paper pieces above a work table
Picture

Identity · 2024

Marrow & Rye

The mark is a fold, not a loaf.

Cut-paper marks: black, mustard, teal and grey badges and folded arrows on cream paper
Illustration

The brief

They were tired of rustic scripts and illustrated loaves.

Role
Mark, packaging, menus, and a one-page brand sheet.
Usage
Packaging and shopfront for three years in the UK and Ireland.
Client
Marrow & Rye
A kraft parcel with a red paper band and a teal square on a plaster plinth
Picture

Publishing · 2026

The Paper Orchard

A tree that grows scissors.

Cut-paper pattern of olive-green branches with red berries on cream paper
Illustration

The brief

A picture book that had to feel handmade on every spread.

Role
Jacket, case, endpapers, and interior spots.
Usage
World English, print and ebook, five-year term.
Client
Little Lantern Press
Paper scraps, scissors, a pencil, tape and a stack of cream sheets on a cutting table
Picture

Campaign · 2025

Kite Postal

Four weather stamps that still read at fingernail size.

Cut-paper seascape: a folded paper boat on torn blue waves under a red sun and yellow clouds
Illustration

The brief

Detail that depends on zoom was banned in the first meeting.

Role
Four illustrations, a first-day sheet, and a poster.
Usage
Exhibition print and a year of tickets.
Client
Kite Postal Museum
A folded cream sheet over a red one, close up
Picture

Campaign · 2023

Velvet Signal

Six posters for a basement room.

Torn-paper poster: a black circle over red, white and teal strips
Illustration

The brief

Posters had to feel pasted, not posted.

Role
Poster series and a reusable title lockup.
Usage
Street paste-up for one season.
Client
Velvet Signal
A studio wall pinned with red, cream and teal paper pieces above a work table
Picture

Personal · 2026

Red Fold

A bestiary cut after hours. Not a style for hire.

A red cut-paper fox standing on cream paper
Illustration

The brief

No client. One animal, one evening, scraps already on the table.

Role
Personal series. Prints are not offered.
Usage
Not licensed.
Client
Studio — personal
Paper scraps, scissors, a pencil, tape and a stack of cream sheets on a cutting table
Picture

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