Residents
The people on the drum list.
Marks, not portraits. These artists are invented for the studio, along with every picture in the shop.
Botanical geometry
Mara Ellison
Plants drawn like diagrams: fruit as circles, stems as bars, a second plate nudged off the first.
Mara treats a garden as a set of simple plates. She draws a bloom, prints it, then shifts the next ink just far enough that the overlap becomes a new colour. Cream paper is her favourite because fluoro pink settles into something a little softer. She works big shapes and almost no outlines, so the sheet still feels like paper rather than a poster of a plant.
- Teal
- Fluoro Pink
- Green
Night architecture
Jonah Voss
Canals, trams and yard lamps reduced to blocks of blue with one warm light.
Jonah walks home late and remembers the city as rectangles. A tram is a bar, a window is a gap, a sodium lamp is one sunflower circle that stains the blue around it. He prints small editions when the drawing only needs two inks, and longer ones when the night has more than one kind of light. Nothing in the picture is a portrait — just the street, flattened.
- Riso Blue
- Sunflower
- Fluoro Orange
Repeat pattern
Priya Sen
Textile logic on paper: diamonds, tickets and weaves that change colour where the plates cross.
Priya comes from a love of cloth, not from a design-school slogan. She builds repeats that a risograph can actually print: a diamond step, a ticket border, a weave of stripes. The third colour is never mixed in a pot. It appears only where two inks sit on the same tooth of the paper. She likes oatmeal stock because the speckle breaks the repeat just enough.
- Fluoro Pink
- Teal
- Violet
Table still life
Leo Hartwell
Bowls, lemons and checked cloths — quiet tables with loud ink.
Leo sets two or three things on a table and refuses to add a fourth. A bowl, a lemon, a cloth. The drawings are blunt on purpose so the ink can do the shading: yellow over blue becomes the green of a citrus skin, pink under yellow warms the cloth. He numbers small editions and keeps the paper bright so the fruit stays loud.
- Sunflower
- Fluoro Pink
- Riso Blue
Harbour weather
Anouk Berger
Horizons, tide lines and one buoy. Weather, not landmarks.
Anouk prints the harbour as bands. A window, a stack of tide marks, a buoy that is really just a circle on a stick. She is interested in how blue and teal dirty each other into a sea colour you cannot buy as a single ink. Her sheets are often editions of 100 because she wants them on kitchen walls, not only in flat files.
- Riso Blue
- Teal
- Fluoro Orange
Objects and letterforms
Cass Okonkwo
A misregistered M, a cup, a torn poster. Playful, precise, a bit cheeky.
Cass likes the moment a print looks slightly wrong and is therefore finished. A letter M printed three times, each ink a hair off. A cup beside a coin that shares the same circle. Fragments of a poster that never had a client. The work is friendly to first-time buyers: you can see how it was made, and you can still hang it in a hallway.
- Fluoro Pink
- Riso Blue
- Sunflower