Slow Looking, Badly Paid
On the labour of attention, and why a critic who lingers should say so without pretending the lingering is free.
Excerpt · 11 min in print
On the labour of attention, and why a critic who lingers should say so without pretending the lingering is free.
Soren Vale on a series of seaside studies whose pigment stayed tacky, and what an unfinished surface asks of the person looking.
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